Canon lenses

Discussion in 'Photography Talk' started by Sheal, Nov 30, 2013.

  1. Sheal

    Sheal Total Gardener

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    @Kristen and all......Well it looks like I could be eating my words! With a landmark birthday coming up it looks like I may be getting a bridge camera from my family.

    This of course solves the issue of me buying a 500mm lens for my Canon. I've been doing some research and some thinking, and to be honest the 500mm lens isn't going to be practical for me in many respects, let alone the cost, although I could have picked one up second hand from America for £300.

    What worries me now about having the bridge camera is, it will make me lazy and I will stop using my other camera, I almost feel as if I'm cheating on it, how stupid is that! :doh:

    The two in the running are the Canon Powershot SX50 and the Panasonic Lumix FZ72. I'd like your opinions please?
     
  2. ARMANDII

    ARMANDII Low Flying Administrator Staff Member

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    Canon PowerShot SX50 HS


    [​IMG]



    The Canon PowerShot SX50 HS and Panasonic Lumix FZ70 / FZ72 are quite closely matched in terms of size and weight (the FZ70 / FZ72 is a little bigger all-round and a few grams heavier) and have quite similar styling. The SX50 HS's 50x zoom matches the Lumix FZ70 / FZ72 with a 1200mm telephoto, but the latter goes significantly wider at 20mm equivalent compared with 24mm on the SX50 HS - so that extra 10x gets you an ultra wide angle lens option. The other thing to bear in mind with the lens is that at the maximum 1200mm focal length the PowerShot SX50 HS stops down to f6.5, where the Lumix FZ70 / FZ72 only goes down to f5.9. It's a small difference, but will allow slightly faster shutter speeds and marginally shallower depth of field on the FZ70 / FZ72.
    The Lumix FZ70 / FZ72 has a 16 Megapixel sensor compared with the 12 Megapixel SX50 HS. But while those additional pixels might allow you to produce a bigger print, the lower resolution sensor in the SX50 HS produces better quality results with less noise. So it's worth asking yourself just how much of a difference that higher resolution is going to make to you.

    The PowerShot SX50 HS has a relatively small 2.8 inch 460k dot LCD, the same resolution but slightly smaller than the 3 inch screen on the FZ70 / FZ72. But like the COOLPIX P520, the SX50 HS's screen can be angled in any direction including forwards for self-shooting and inwards for protection, a big advantage over the fixed screen of the Lumix FZ70 / FZ72.

    The FZ70 / FZ72 features a greater abundance of physical controls than the SX50 HS and provides more customisation options. There are no fewer than three programmable Fn buttons, as well as a switch for focus mode selection. In its favour, the SX50 HS offers two custom positions on the mode dial against the FZ70 / FZ72's one, and buttons for helping frame your subject when fully zoomed in, which is a big help when operating at the upper limits of the zoom range.

    Both cameras have a dedicated movie record button and are able to use their optical zooms during recording. The Lumix FZ70 / FZ72 offers a best quality 1080i50/60 option compared with 1080p24 on the SX50 HS. The FZ70 / FZ72 offers PASM exposure control for movie shooting, but on the SX50 HS the options are limited to fully auto or a selection of scene modes. The SX50 also provides two high speed movie options, while neither is HD resolution, the FX70 / FZ72 lacks the High Speed Motion video modes introduced on the FZ200. Both cameras have a standard hotshoe as well as the built-in flash, but neither offers built-in GPS or Wifi features.

    One other thing to consider is the SX50 HS's age. Released in September 2012 its price has now fallen to the point where you can pick it up considerably cheaper than the Lumix FZ70 / FZ72. Look beyond the numbers - the differences in zoom range and sensor resolution - and these models are quite closely matched with the SX50 HS offering the key advantage of a flip-out LCD screen, albeit slightly smaller than the FZ70 / FZ72's. Also expect a successor to the SX50 HS before Christmas 2013.

    See my Canon SX50 HS review for more details



    Panasonic Lumix FZ70 / FZ72 final verdict

    The Panasonic Lumix FZ70 / FZ72 raises the bar once again for super-zooms with a massive 60x optical zoom. Panasonic has stuck with the same 24x zoom lens for several generations of its FZ range, so perhaps it's not surprising that they've leapfrogged the competition so spectacularly. What may surprise many is that rather than extend the maximum telephoto over what's currently available from Canon, Sony and Fujifilm, the Lumix FZ70 / FZ72 adds the extra range all to the wide angle end with an ultra-wide 20mm equivalent focal length. This is a pretty smart move as that 4mm on the wide angle end is actually a lot more useful and makes a much bigger difference than 240mm on the telephoto, particularly given the availability of an optional 1.7x teleconverter lens.

    In other respects the Lumix FZ70 / FZ72 shares a lot of similarities with what's now the next model down in the range, the 24x FZ60 / FZ62. The body is bigger and heavier to accommodate the new lens and, though the sensor is redesigned, like the one in the FZ60 / FZ62 it shares the MOS design and 16.1 Megapixel effective resolution. The FZ70 / FZ72 also now has a wind-shielded built-in microphone, RAW shooting, a hotshoe and Panoramic shooting and there are other minor differences like one fewer custom position on the mode dial and and extra Creative control effect. If you can live with a shorter, but nonethelss pretty impressive 24x zoom as well as those other differences, it's certainly worth considering.

    It's easy to dismiss the constant striving for ever longer zoom zoom ranges as nothing more than a numbers game and in the past I've praised Panasonic for stepping back from it and concentrating on other features. But there's no denying that sometimes it's good to be able zoom in really close and equally useful to have the option of an ultra-wide angle of view. By significantly extending the range at both ends, Panasonic has produced a super-zoom truly worth of the name and of Cameralabs' Recommended award. Given the company's track record I'm disappointed not to see built-in Wifi and GPS included, and for those reasons it falls short of our highest award, especially as Wifi will almost certainly be included on the successor to the SX50 HS, although whether Canon chooses to upgrade its 50x range is another matter.


    Good points
    Massive 60x optical zoom.
    Excellent Power O.I.S. stabilisation.
    20mm ultra-wide angle.
    Raw mode.
    400 shot battery life.
    3 Programmable Fn buttons.

    Bad points
    Fixed LCD screen can't be flipped out.
    No built-in GPS or Wifi.
    Poor 3-frame burst shooting.
    Stabilisation artifacts on movies at max zoom.


    Scores

    (relative to 2013 super-zooms)
    [​IMG]

    Build quality:
    Image quality:
    Handling:
    Specification:
    Value:

    Overall:

    17 / 20
    16 / 20
    17 / 20
    17 / 20
    16 / 20

    83%








     
  3. ARMANDII

    ARMANDII Low Flying Administrator Staff Member

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    Panasonic Lumix FZ70 / FZ72 verdict
    The Panasonic Lumix FZ70 / FZ72 is a 16 Megapixel super-zoom with a jaw-dropping 60x stabilised optical zoom lens. That's the longest range available on any super-zoom camera and outreaches the hugely popular 50x Canon PowerShot SX50 HS, although to be fair Canon's model is now a year old and likely to be updated soon. However, don't make the mistake of assuming the FZ70 / FZ72 has a longer telephoto than other models. It has the same 1200mm maximum telephoto as the PowerShot SX50 HS, so the additional range is at the other end of the scale, providing it with an ultra-wide 20mm focal length, perfect for panoramic landcape shots and interiors.

    The 16 megapixel MOS sensor is newly developed, but is no doubt a close relative of the 16 Megapixel sensor in 2012's FZ60 / FZ62. But unlike that model the FZ70 / FZ72 now offers RAW support. The new sensor and Venus Engine processor support similar shooting modes to the FZ60 /62, including PASM control, Intelligent Auto with scene detection and Creative Control Effects. Additionally the FZ70 / FZ72 includes the Panoramic shooting mode introduced on the FZ200.

    Other features include built-in flash and hot shoe, 1080i50/60 HD movies, composite handheld Night Shot and HDR modes and a battery that lasts for 400 shots. But the Lumix FZ70 / FZ72 lacks built-in GPS or Wi-fi, features that Panasonic has a great track record with and would have been a great addition to this model. That said, a 60x zoom range goes some way to making up for those ommissions and if you're looking for a super-zoom that outreaches anything else around, with ultra-wide angle and super-telephoto focal lengths within its grasp, the Lumix FZ70 / FZ72 can't be beat.
     
  4. Kristen

    Kristen Under gardener

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    I own the PowerShot SX50 HS, so comments based on that. I've never even seen the Panasonic one ...

    I shoot all my "garden archive" pictures at max wideangle - which I suppose has been 24mm ever since I moved to digital from film. So I would probably benefit from 20mm - however, I thought 24mm (digital) was the border-line between distortion and not? Perhaps the camera starts up at 24mm (and can be zoomed out to 20mm)? ... what I am thinking is that I turn the camera on (thus its at 24mm) and if I am taking a happy snappy I walk towards the subject until it is framed (rather than zooming). If camera started at 20mm, AND there was distortion, I would have to change to 24mm first.

    An issue with the SX50, compared to the previous Canon I owned, is that it is half a stop slower. Forget about max zoom, I would compare the best f-stop that it is capable of.

    Does Panasonic have Image Stabilisation (& as good as Canon's?). I use that all the time - either on long zoom and hand held (which is pretty remarkable - saves lugging a tripod :) ) and at low light rather than using flash.

    I am starting to have an issue with storing the images from digital cameras over the years. Extra pixels (if not really needed) would exacerbate that. I keep pretty much all my photos, for "archive" to flick back through.

    I wouldn't buy a camera without this. Being able to protect the screen, when not in use, seems to me to be critical. Being able to angle it (slightly downwards) so I can reach up over a crowd of people - for example gathering around the bride at a wedding - is handy, and I sometimes make a movie of something I am doing, as a demo for someone else, and turning the screen all the way round to "selfie" mode means I can preview that my hands and whatever I am demonstrating are "in shot".

    I'm not sure the size of screen matters. I only ever use the viewfinder for normal shots, as the glare on the screen is a nuisence (although millions of people manage in bright sunshine just fine with their feature-phones :scratch:). But I am only using the viewfinder to check that the picture is "framed" well - the resolution is pants. If I want to check that the focus is good I have to zoom the screen all the way in, anyway, so bigger screen wouldn't help that much. For someone who only ever uses the screen as the preview for taking pictures their needs might be different.

    GPS would be handy, to know where I had taken a photo.

    GPS would be an utter nightmare because it would be in the EXIF whenever I uploaded a photo / sent one to a friend. Serious risk of privacy breach.

    When is the next Cannon coming out? Worth waiting for that perhaps?

    Other points:

    I like the Canon software too - the way it downloads (folder per day, date is part of the folder name, so everything naturally in chronological order, makes it easy to find "that wedding 5 years ago)

    There was no comparison of the Panorama mode. On Canon the viewfinder comes up with 1/3rd of the previous frame (fixed on the left) so you can align your next frame (2/3rd on the right). In olden days I had so much up-down between frames that the final cropping wasted most of the picture - not any more!). But although it has left-to-right and right-to-left if it has Portrait equivalent I've never found it.
     
  5. Scrungee

    Scrungee Well known for it

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    Don't forget you would need to purchase the SX50 by 7th May if you wish to take advantage of the £30 cashback offer.
    http://www.canon.co.uk/springcashback/
     
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    • Kristen

      Kristen Under gardener

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      I bought mine from a supplier cheaper than if I had used the cashback deal (supplier shipped from England, as the product arrived next-day, but was not considered to be a UK-Retailer by Canon's cashback offer ...)
       
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      • Sheal

        Sheal Total Gardener

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        Armandii.....It must have taken you ages to write up those posts, thank you. I had researched the pro's and con's of both camera's but yours was a better read! :)

        Kristen.....Thanks for the pointers on the Canon. :) Yes, the Panasonic does have image stabilisation. The fact that Canon are on the verge of releasing another camera isn't a problem. As with all technology it changes very quickly.

        The screen won't be an issue as it's doubtful that I will use it. I haven't used the one on my present camera in the three years I've had it. The viewfinder will be more important and I've heard some users aren't happy with it on bridge cameras but can't quite put my finger on the problem, any ideas please?

        I don't need or want the GPS, I prefer to handle my own naming set up. When I use my camera my photo's are sorted on 'return to base'. The problem I find with present day cameras is they take to much away from the photographer and complicate it in the process, I don't want a camera that does everything for me but unfortunately I don't have a choice with todays technology. Oh, for a Brownie with a zoom lens! :heehee:

        Yesterday after reading Armandii's posts I was swinging towards the Panasonic but now I'm back at 50/50 again having taken on board what Kristen has said. Both cameras have good and not so good points. There is still something telling me Canon is the way to go, perhaps it's because I already have one and know how it performs. This is difficult, I only have a few days to make up my mind. :doh:
         
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        • Sheal

          Sheal Total Gardener

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          Scrungee, thank you, but this camera is being bought by my children for my birthday and they don't know I know. As Kristen says it is cheaper elsewhere even with Canon's cash back deal.
           
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          • Kristen

            Kristen Under gardener

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            :heehee:

            The resolution in the viewfinder is lousy (you aren't looking through-the-lens as with SLR). Its so long since I switched from SLR to Digital I can't remember what would have bothered me at the time ... with SLR I did fiddle with focus and so on, but I just forget about that now, and all I use the viewfinder for is "framing", so even though Low Res it does the job as far as I am concerned.

            In terms of "using the screen" I use that (flipped out and angled down) for photographing over the heads of the crowd, or when I want a down-pointing shot (daughter and two friends were sat in a, dry, bath the other day "'coz that's the best Wifi signal for watching a movie" :) and a down-shot was the best angle for a photo :) ). I also use it just to review which of the 3 shots I took looks best, and delete the the other two (before I download), and sometimes to show someone a photo that I happen to still have on the camera, but sounds like your experience that my usage is "rare".

            One important point is that Zooming is nothing like as nice as with SLR. You have to use the "Knob" for that, and getting it to just-the-right-point is hit and miss. I still miss the SLR ring-around-the-lens for zooming, and would dearly like that back on a Bridge. I expect it is because the zoom is electric-motor (goodness knows what rearrangement of the lens elements has to happen, internally, to get from touching-object macro to 1200 zoom!!

            Worth considering speed and noise of zoom. The Canon was praised for this when the HS50 came out. Compared to my previous Bridge (an earlier Canon model, forgotten which one now) the HS50 is both incredibly quick, and very quiet (saves embarrassment in situations like at the kids play! and also avoids pick-up noise when shooting a movie with sound and zooming). Panasonic may be same though?

            Canon Macro is pretty easy. There is a Macro mode [menu option], which can help "lock" that mode if you have several shots to do, but other than that you can just move closer, until the lens is touching the object (so I presume that is 1:1) and it will continuously focus. I presume at some point it automatically switches the lens elements from Normal to Macro.

            I'm the same ... although ... it is well cool if taking photos around a garden to actually know where exactly you were standing, and which way you were facing. All that can spring up on a map (such as Google Maps). Not sure if I am comfortable with the intrusion of the technology though.

            You'll need to unthink that :) You can set-up for the photos as you want to, but I think you will want to let the technology help too. Most of my photos are happy-snappy (current log of garden "status"), but I did Photography at skool, owned an SLR, and thus know my way around a camera ... and as such I resort to Program mode a reasonable amount of the time, but for me forcing aperture, or shutter speed, is about all I need most of the time [that I am in "manual" mode], along with twiddling the ASA up, or down, and forcing over/under exposure.

            There are some very cool effects - take 3 photos at different exposures and the camera will blend them to bring out the shadows (probably get all that stuff in SLRs now, or post-process in Photoshop?)

            So don't be worried about having the choice. No doubt it is not the same as SLR, but there is lots to twiddle if you want to - I'm just not sure you will feel the need to twiddle as much as you did. But I'm only speaking from my own experience.

            Get biggest, fastest, SD card you can afford. Helps with Movies to have a fast card. I would recommend emptying the card when you are sure the images are safely download and backed up - I find mine works faster with fewer images on the card, and the Download trawls through all the existing photos [checking if they have been downloaded already] so the more you have stored the longer it takes to "start" downloading the new ones.

            Canon automatically stores to a folder naming convention of your choice (basically flavours of Date) but also asks you a Suffix, which it appends to the default folder name - so I wind up with "20140420" to which is appended "Joe Bloggs Wedding" - which I find handy, as the first thing I used to do with previous model was add a Human Prompt suffix to date-based folder names :)
             
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            • Kristen

              Kristen Under gardener

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              • wiseowl

                wiseowl Amiable Admin Staff Member

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                • Scrungee

                  Scrungee Well known for it

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                  @wiseowl - have you got your hands on an Olympus stylus sp100ee yet?
                   
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                  • wiseowl

                    wiseowl Amiable Admin Staff Member

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                    • Sheal

                      Sheal Total Gardener

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                      Kristen......Yesterday I made a trip to the only existing camera/photography shop on the island, it is family owned. The intention was to get my hands on the bridge cameras and fire questions at the owner. My luck as always ran out, it was shut for the Easter weekend! :doh:I'll try again on Tuesday.

                      Thanks for your long post Kristen! :biggrin: My quote button has opted out yet again, so please bear with me. Quote: 'The resolution in the viewfinder is lousy', that is probably my biggest issue at present. As I said in a previous post, I don't like using a screen and I think ultimately this will make my mind up on a bridge camera let alone which one.

                      Quote: 'Zooming is nothing like as nice as with SLR', hmmmm, still thinking on that!

                      Even with the pro's and con's I find myself thinking Canon again regarding a bridge camera, however, I'm still also thinking about my DSLR and haven't completely given up the idea of another lens for that. I have just invited Strongylodon into the conversation via another thread. I want to expand my wildlife photography and Strongy being a bird photographer at heart will help. @wiseowl also takes a fair amount of bird photo's and with his knowledge of both sorts of camera, hopefully he will give me an opinion on which he prefers. I also know that Woo has recently added a 300mm lens to his kit and would like to know what he thinks of this in relation to bird photography in particular. My current issue is with my 250mm lens, it's just not strong enough to approach, particularly, sea birds without them taking fright and flight.
                       
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                      • Sheal

                        Sheal Total Gardener

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                        @wiseowl.......Thank you for pointing out your thread on bridge cameras. I have actually been reading through that again during the course of making my mind up and the running of this thread. You have the best of both worlds owning both types of camera and the ability to give information in both respects, so what you say is valuable. :)

                        As you can gather I need to get this decision right. My choices at the moment with the idea of a 500mm lens discarded for various reasons, are whether to consider a 300mm lens and perhaps sell on my 250mm as I probably won't need both, or have a bridge camera as well.
                         
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